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BIOGRAPHY
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TkH (Walking Theory or Teorija koja Hoda
in Serbian) was founded as a group for theoretical and artistic
research at the end of 2000 in Belgrade. Since 2002 it operates as an
independent organization: TkH-center for performing arts theory and
practice.The main objective of the TkH platform is to reinforce the
critical and experimental practices in contemporary performing arts in
the local context, as well as to affirm them in a wider, regional and
international context.TkH’s activities are a theoretical praxis in the
field of contemporary performing arts, implemented through textual
production, self-organization, critical education and cultural policy.
They are realized through several programs: TkH Journal for performing
arts theory, educational programs (PATS, s-o-s project, dramaturgical trainings, Knowledge Smuggling!, Deschooling Classroom), a regional online platform (tkh-generator.net), programs dedicated to a critical reflection of the local scene (Forum for the Performing Arts Criticism, Walking Critique),
artistic (Pro Tools) and theoretical events (conferences, labs),
interdisciplinary performances and other artworks, as well as hosting
presentations and lectures by artists and theoreticians outside of
Serbia. In addition to its specific, more theoretical and artistic
interests, TkH has been active in the field of cultural policy. It
engages in collaboration with self-organized initiatives,
organizations, and platforms from Belgrade (the Other Scene), the
region of Western Balkans (Clubture), as well as with a few other
platforms from Europe (a.o. PAF). The initiatives and projects of
collaboration with the above-mentioned platforms are motivated by the
common goal: reinforcing the infra-structural and discursive potentials
of independent cultural and artistic scenes.
www.tkh-generator.net |
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